In the newest chapter of Hometown Tunes, Laura muses on the impermanence of Seattle’s music scene and offers an ode to her local bands bands and their crowds.
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“I realized that my artistry is enough of a statement itself. The joy and the feelings that went into this project are a testimony to my freedom and ability to express myself. That to me is just as relevant: Black happiness, Black contemplation, Black feelings.”
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Her new mixtape is a sweltering collage of neon mixes, delectable hooks, and gut-punching bass. But, if you listen closely, you’re thrust into a movement - weaponizing club music and re-defining a genre.
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The gentleness of Simpson’s vocals overwhelms you with a sweeping sadness that embodies the same issue of validation.
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“I grew up in a household and in an area that taught me to love and value all people and all music. Music and expression is often the sum of our experiences, and through empathizing with others’ experiences, you become a more well-rounded individual and procure new lenses to view yourself through.”
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“Kids … have told me, ‘your story made me feel not-weird about my experiences.’ That’s really freeing because it makes me feel not-weird, too.”
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Right before the world went on lockdown and live music came to a pause, the Brooklyn band Native Sun had just wrapped up their west coast tour, accompanying White Reaper and The Aquadolls. Obviously a lot has now changed, but we caught up with them post-quarantine to reminisce over concert highlights, reunions with old friends, and tips for tour survival - plus a tour photo-diary!
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Without highlighting his image or confident stature, we meet Brandon’s vulnerable self. A welcoming into his music and person, without a doubt Weep stands out among the rest. A track honest to its character, and relevant to what we feel in the time of quarantine.
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