Sumney takes listeners on a 20-track trip, an exploration of one's inner self
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In the newest chapter of Hometown Tunes, Laura muses on the impermanence of Seattle’s music scene and offers an ode to her local bands bands and their crowds.
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Based in Nashville, bedroom-pop master Dreamer Boy has released the first taste of his new project All The Ways We Are Together, ‘Know You’. The tune serves as a joyous soundtrack to growing up. He is no stranger to ethereal tones that take aim at unexplored parts of the heart.
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Reminiscent of a Brockhampton ‘Saturation’ era sound, the mix of provocative lyrics with experimental beats and playfully pitched vocals further enforces the, ‘fuck with me I dare you,’ vibe Park has perfectly curated.
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“I realized that my artistry is enough of a statement itself. The joy and the feelings that went into this project are a testimony to my freedom and ability to express myself. That to me is just as relevant: Black happiness, Black contemplation, Black feelings.”
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The ‘Sippy Cup’ music video is quintessentially a mark of DIY creativity which reaps its rewards. The unapologetic, unadulterated message the video brings is to simply let go, and gives off a freeing sentiment.
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Neon-lit memories of romanticism, a smile washed with the blue-tinted glow of a projector. It’s always the small moments we don’t realize we miss until they’re over, right?
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The EP can be summed up in four words: “Rock n Roll, baby.” The whole release takes listeners through a painful breakup, without fear of crying.
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We take a peek into Remi Wolf’s camera roll, and converse about pre-show rituals, making shit up, greenrooms, and drawing inspiration from chefs and jazz musicians.
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Up-and-coming rapper and singer-songwriter, Rodney Chrome, describes the title of his debut project, Queer Pressure, as “an acknowledgment of every societal pressure that queer individuals have most likely experienced.” Over twelve tracks, he dismantles these “queer pressures” over hard electronic beats produced by electronic musician underscores and himself.
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Tom Verberne takes his self-described somber pop music to new heights with his sophomore album I’ll Watch You Do Anything. The blue album melds his signature melancholy hope with spinning instrumentals to create a defined sound. Liv Bjorgum sits down and chats about his previous album, growth, and more.
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Australia produces a lot of amazing music, but there are very few artists out there as beloved, as irresistible as Skegss. Since their 2014 debut, the Byron Bay trio have been spinning garage rock into laid-back storytelling, capturing adolescence like no other band has before them.
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In preparation for their latest EP, Acting My Age, Pure Nowhere attends a Zoom press conference hosted by the 1824 press team. Through questions and live performance, we learned more about channeling their creativity and adjusting their vision in a changing social landscape.
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“I am black person from a rural community, I am a queer person in the age of the internet. I think to bridge the gaps, in any instance, it requires a human-lived experience to help it along — to make it tangible for those who are not aware. My identity is that intersection.”
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Great love songs are personal, but universal, and Jeffrey Eli’s “SUMMER CAMP” is no exception, hinging the story of a legendary romance on the countdown to summer’s end.
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In their newest music video for “Big Star”, Lily Waters has utilized their talents to create a video that blends hazy ’70s aesthetics and soulfully gritty vocals to depict a scene of dream-like nostalgia.
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Her sophomore album, Punisher, refuses to romanticize the issues discussed, crafting an honest portrayal of depression, toxic relationships, stardom, and recurring dreams.
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Best known for their garage rock sound — the kind that whisks you into a gritty basement show no matter where you are — Hinds takes a somewhat different route with their latest LP.
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